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Millennia - Mixing Suite - Modular Mixing System

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Millennia Music & Media Systems - Mixing Suite - Modular Mixing System

CUSTOM SHOP PRODUCT

The Mixing Suite (tm) is a modular, rack mountable, portable analog workstation offering a variety of plug-in modules of uncompromised sonic character, technical specification, and mechanical workmanship. Five mixing-oriented modules are available.

Offering 100% compatibility with George Massenburg's (GML) HRT-9100 (tm) Mixing System, the Millennia Mixing Suite provides audio excellence and modular flexibility. With a focused selection of input and output options, the Mixing Suite is intended for critical location recording, large MIDI-array mixing, general sub-mixing, film and stage work, Surround stems, multi-source mastering, and more. Remote fader packs are optionally available offering automated or non-automated control. Multiple Mixing Suites can be combined for a total of up to 80 input channels.

Employing circuitry similar to that found in the acclaimed Millennia HV-3 microphone preamplifier, the Mixing Suite is almost entirely DC coupled without the addition of servo amplifiers. Each circuit element has been carefully optimized in critical listening tests for musical realism, spatial accuracy, and dynamic stability. No detail of circuit design, electro-mechanical design, or component selection has been neglected.

The Mixing Suite is a high speed, high headroom signal path design. Utilizing the finest French Vishay conductive plastic potentiometers and superior grade componentry throughout, the Mixing Suite is designed for a lifetime of professional industrial applications.

A rugged, high-performance external power supply accompanies the Mixing Suite. The power supply chassis employs a 40W engineer's talkback amplifier with a feature we call True Mute(tm). In other remote talkback systems, the amplifier remains on, with audible hum or hiss. The True Mute system assures that all amplifier power is off when talkback is not selected, yet returns quietly to full power in less than 50 mS after talkback is selected.

1997 TEC Award Nomination

We encourage comparison testing. Listen to the critical detail of bell-tree, female voice, and complex percussion. Compare the timbre realism and spatial accuracy of shared stereo miking on orchestra, choir, and jazz combo. Specifications are a guide; and Millennia products continue to set the industry pace in lab measurement standards. But specs don't always tell the sonic story. Just Listen. Over 20,000 Millennia mic preamp channels have been chosen by today's leading artists, engineers, recording companies, and symphony orchestras. We are confident that you will discover the difference superior analog circuitry can really make.

Highlights

  • George Massenburg Hrt-9100 (Tm) Compatible
  • Matched Discrete Octet Balanced Summing Amps
  • True Stereo Solo Bussing With "Toggle-Clear"
  • Solo Selectable ‘Safe’ Or ‘Destructive’
  • Stereo, Mono, And Passive Input Modules
  • Fully Modular, Up To 80 Channels
  • Sweepable Rumble Filters On Inputs
  • Thd+N Less Than .002% Front To Back (.0007% Passive)
  • Frequency Response 2 Hz - 400 Khz (-3 Db)
  • +32 Dbu Output Headroom. +26 Dbu Baseline Headroom
  • Four Main Busses, Entirely Balanced
  • Four Aux Busses, Entirely Balanced
  • Minimum Topology Signal Path
  • Vishay Precision Potentiometers
  • Optional User-Configurable Remote Fader Packs
  • Bulletproof 40w Talkback Amplifier With True-Mute(Tm)
  • High Speed Transformerless Design
  • Timbral & Spatial Resolution Is Preserved

Available Function Modules

  • Mono Input Module W/ Millennia Hv-3 Mic Preamp (Mim-01)
  • Passive Stereo Line Input Module (Pim-01)
  • Stereo Line Input Module (Sim-01)
  • Stereo Main Master Module (Smm-01)
  • Aux Master Module, 4-Out, 4-In (Amm-01)

Specifications

Specifications SIM, MIM, AMM, PIM Cards


MINIMUM LINE TRIM GAIN (SIM/MIM)
- 12 dB
MAXIMUM LINE TRIM GAIN (SIM/MIM)
+12 dB
MINIMUM GAIN (AMM)
Fully Off
MAXIMUM GAIN (AMM)
+9 dB
RUMBLE FILTER ADJUSTMENT RANGE
22 Hz to 220 Hz
(-6 dB/oct)
FREQUENCY RESPONSE (Input Card Only)
2 Hz - 400 kHz, +24 dBu Out
+0/-3.0 dB
FREQUENCY RESPONSE (Input Card Only)
2 Hz - 300 kHz, +24 dBu Out
+0/-1.0 dB
FREQUENCY RESPONSE (Input Card Only)
10 Hz - 30 kHz, +24 dBu Out
+0/-.05 dB
NOISE RATING Unity Gain, Line in to Insert Out
-102 dB
TOTAL HARMONIC DISTORTION PLUS NOISE
Unity Gain, 10 Hz - 20 kHz, +20 dBu Out
< .0009%, Typ .0005%
(5 PPM)
INTERMODULATION DISTORTION (50 Hz & 7 kHz) Unity Gain, +20 dBu Out
< .001%
PHASE RESPONSE Unity Gain
50 Hz - 20 kHz, +24 dBu Out
< 2 Degrees
PHASE RESPONSE, STEREO DEVIATION Unity Gain
20 Hz - 40 kHz, +24 dBu Out
< 1/2 degree deviation
COMMON MODE REJECTION RATIO, Unity Gain
10 Hz - 20 kHz, 100 mV C.M.
> 95 dB
MAXIMUM OUTPUT LEVEL, Insert Out
At Onset of Clipping
+32 dBu
MAXIMUM INPUT LEVEL, at Onset of Clipping
+26 dBu
LINE INPUT IMPEDANCE
4,410 ohms @ 1kHz (others available)
INSERT OUTPUT IMPEDANCE
24.3 Ohms (x2)

Specifications SMM (Master) Card

FREQUENCY RESPONSE (Line In to Mix Out)
2 Hz - 300 kHz, +24 dBu Out
+0/-1.0 dB
FREQUENCY RESPONSE (Line In to Mix Out)
20 Hz - 30 kHz, +24 dBu Out
+0/-.05 dB
NOISE RATING (Unity Gain, Line In to Mix Out, 1 ch)
-98 dB
NOISE RATING (Unity Gain, Line In to Mix out, 8 ch)
-92 dB
TOTAL HARMONIC DISTORTION PLUS NOISE Unity Gain, 10 Hz - 20 kHz, +10 dBu Out, Line in thru Mix out
< .002%, typ .001%
TOTAL HARMONIC DISTORTION PLUS NOISE Unity Gain, 10 Hz - 20 kHz, +20 dBu Out, Line in thru Mix out
< .005%, typ .002%
TOTAL HARMONIC DISTORTION PLUS NOISE Unity Gain, 10 Hz - 20 kHz, +20 dBu Out, Line in thru Mix out
Using Passive Input Module as Source
< .001%, typ .0008%
MAXIMUM MIX OUTPUT LEVEL
+32 dBu at Onset of Clipping
MIX OUTPUT IMPEDANCE
24.3 Ohms (x2)
MAXIMUM HEADPHONE OUTPUT LEVEL (x2)
+24 dBu
OSCILLATOR FREQUENCIES
100 Hz, 1 kHz, 10 kHz
MAXIMUM OSCILLATOR OUTPUT
+24 dBu
METERING RESPONSE (jumper selectable)
Peak or Quasi-VU
Bar or Dot Mode
METER "0" REFERENCE LEVELS (jumper selectable)
-20 dBu, -12 dBu
+4 dBu
MAXIMUM TAPE RETURN LEVEL
+24 dBu
MAXIMUM MONITOR OUTPUT LEVEL
+26 dBu

Specifications Universal Electronics Enclosure + Power Supply

CHASSIS (RACK EAR) MOUNTING ANGLES
0, 10, 20, 30 Degrees
ELECTRONICS ENCLOSURE DIMENSIONS
19" W x 13" D x 7" H
POWER SUPPLY DIMENSIONS
19" W x 12" D x 3.5" H
POWER SUPPLY OUTPUT VOLTAGES
+48V (phantom), +/-28V (analog), +/-18V (analog), +8V (logic), Analog Ground, Digital Ground, Earth Ground
AC POWER REQUIREMENTS
100VAC, 120VAC, 220VAC, 240VAC
All front panel selectable
W
Unless stated, all measurements are balanced into 100k ohm load on a calibrated Audio Precision System One.
Price:  Contact Us  
Tuesday 14 March, 2006
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Millennia
Millennia Music & Media Systems

Millennia Music & Media Systems

We carry the complete line of Millennia products. Looking for something not listed here? Please contact us.
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